Sharing Stories on Contested Histories

How are we - museum professionals around the world - dealing with colonial collections? How do we critically engage with the museum’s own histories and reflect on their role in society in the face of these challenges? How can we  handle collections created and collected during colonial times in more caring and ethical ways? How do we navigate and react to contestations over certain histories and heritage?

This knowledge exchange programme brings together a group of young professionals from around the world working in museums or collection-managing organisations to reflect on these questions and to exchange knowledge and experiences regarding their working practices.

Participants ons the training Sharing Stories on Contested Histories
The participants of Sharing Stories on Contested Histories edition 2024 in the Lichthal of Wereldmuseum Amsterdam

About the programme

Many museums or other collection-managing organisations hold collections from or with a colonial context, urging professionals working with such objects to reflect on their own working practices and their role in society. This requires diving into such institutions’ recent and less recent past, and to the histories and practices of museums themselves.

The 2025 edition of the Sharing Stories on Contested Histories programme will explore present topics such as conducting provenance research, handling restitution requests, working with communities of origin, and dealing with public opinion and political dynamics, by stimulating and facilitating an exchange of knowledge, tools and experiences regarding our professional practices.

The programme touches on many aspects of museum practice, such as exhibition-making, public programming, research and developing (international) collaborations. It involves reflecting on our individual positionalities and acknowledging our institutions' entanglements with these histories – think, for example, of museums founded in colonial times to support colonial policies and handling historic objects and belongings that are now at the centre of restitution debates. It requires developing practices of care, inclusivity and accessibility, and sometimes imagining new concepts and professional practices that speak to different challenges and needs.

The increasing focus on notions of care and reparative practices is an important and urgent development in the museum sectors all over the world. Yet it is also a challenging task, as it often involves navigating opposing perspectives and different kinds of tensions and emotions, and sometimes facing resistance from within or outside one’s organisation. The Sharing Stories on Contested Histories programme brings together a diverse group of young professionals working at museums or other collection-managing organisations from different countries around the world to facilitate an exchange on the work practices involved in addressing these challenges.

Participants will be invited to bring in their own case study, which will be used for exploration and discussion during the programme. We believe that exchanging knowledge and experience with peers, working in different contexts, can be really impactful. It can lead to the development of new insights, practices and tools, while learning about each other’s (entangled) histories and building more equitable relations.

Participants of the 2024 edition of Sharing Stories on Contested Histories
Image: ©RCE/Remco Vermeulen
The participants of Sharing Stories on Contested Histories edition 2024 at The Black Archives in Amsterdam, listening to Phaedra Haringsma

Set up and dates of the 2025 edition

More information regarding the content of the programme will be added here when ready.

How to apply

The programme will accept a maximum of 20 participants. To apply for the training, candidates are invited to apply via the button Apply below. You will be asked to submit a motivation letter (maximum 500 words) and a short biography (maximum 300 words) to by 26 May 13:00 CET. If you have any questions regarding your application, you can contact Ruben Smit via ruben.smit@ahk.nl.

About the organisers

This programme is put together and facilitated by Remco Vermeulen (RCE), Diede Bos (RCE), Ruben Smit (Reinwardt Academy), and Ranmalie Jayawardana (Reinwardt Academy). The programme will also include other facilitators and the contribution of many museum professionals from different countries. Their names will be shared once confirmed.

Diede Bos
Image: ©RCE/Diede Bos

Diede Bos is an advisor on cultural heritage and collection management at the Cultural Heritage Agency of the Netherlands, focussing on international heritage cooperation. His interests include: transnational history with a focus on cultural phenomena and the relationship between geopolitics, diplomacy, and (inter)national politics.

Dr Ranmalie Jayawardana
Image: ©Ranmalie Jayawardana

Dr Ranmalie Jayawardana (she/her) is a UK-based anthropologist specialising in addressing colonialism and enslavement in critical, collaborative and compassionate ways. Ranmalie has developed content and practices for major redevelopments in Leeds, Liverpool (including the International Slavery Museum) and London, where she currently works as Interpretation Producer for V&A. Ranmalie’s museum practice is deeply informed by her doctoral research on colonialism, conflict and violence in Sri Lanka, contextualising modern injustices within European imperialism. She also advocates for intersectional approaches to poverty alleviation as trustee of charity Good Company. Ranmalie is an alumnus of Sharing Stories on Contested Histories 2024 and is excited to meet a new cohort of global changemakers.

Remco Vermeulen
Image: ©RCE/Remco Vermeulen

Remco Vermeulen is senior advisor for international cooperation on collection management at the Cultural Heritage Agency of the Netherlands, working on knowledge exchange and capacity building programmes in the context of the International Heritage Cooperation programme which is part of the International Cultural Policy of the Netherlands, as well as for the Consortium Colonial Collections. Remco also is an external PhD candidate at the Erasmus School of Social and Behavioural Sciences. His research focuses on colonial heritage engagement, particularly by young people, in postcolonial Indonesian cities.

Photo of Ruben Smit

Ruben Smit is Senior Lecturer and International Knowledge-Exchange Programmes Manager at the Reinwardt Academy (Amsterdam University of the Arts).  He has been lecturing for the last 19 years at the Reinwardt Academy and has previously held a number of managerial functions in the museum sector. In his capacity as senior trainer, he has a long-standing experience with work in countries like China, Indonesia, Morocco and Russia. His main professional interest are focused on: audience development and participation, museum exhibiting and interpretation, learning and education, and international training and knowledge sharing.

About the facilitating organisations

The Cultural Heritage Agency of the Netherlands (RCE) is closely involved in listing, preserving, sustainably developing, and providing access to cultural heritage in the Netherlands. The RCE is the link between policymakers, academics, and practitioners, providing advice, knowledge, and information, and performing certain statutory duties. The Sharing Stories on Contested Histories programme falls within the RCE’s International Heritage Cooperation programme, that in turn stems from the International Cultural Policy of the Netherlands. Responsibility for the Netherlands’ international cultural policy is jointly shared by the Minister of Foreign Affairs (Buitenlandse Zaken | BZ), the Minister for Foreign Trade and Development Cooperation (Buitenlandse Handel en Ontwikkelingssamenwerking | BHOS) and the Minister of Education, Culture and Science (Onderwijs, Cultuur en Wetenschap | OCW). In the International Cultural Policy 2025-2028, the RCE has been appointed as one of the executing agencies on the topic of cultural heritage. Other executive organisations are: National Archives, DutchCulture, the Dutch Centre for Intangible Cultural Heritage (Kenniscentrum Immaterieel Erfgoed Nederland | KIEN) and the Dutch embassies in the partner countries.

The Reinwardt Academy is a knowledge-, research-, and training centre of cultural heritage in the Netherlands. This vocational university is located in Amsterdam and offers the only bachelor’s programme on cultural heritage available in the Netherlands, as well as a master’s programme on Applied Museum and Heritage studies. Additionally, the Reinwardt Academy operates as a platform for (inter)national heritage professionals to exchange knowledge and experience.

FAQ: Sharing Stories on Contested Histories edition 2025